Sorting the Junk Drawer

“He who would travel happily must travel light.”Antoine de St. Exupery

I’m in the realms of sorting junk drawers, if this is any indication to my state of mind.

(I know there's big demand to steal my junk drawer shot) Jessica Dofflemyer ~ all rights reserved

I’m living in a world of keep, recycle, give away, or trash.  There’s no room for hesitancy here.  Little time for sentimentality.  I’m moving, and what’s  kept must be schlepped so it better be worth its weight.  Bagfuls of “so-so’s” have been heaved out the door.

I’m thinking of a lean, mean (well, not-so-mean), streamlined machine.  If there’s a knot let’s untangle it.  A tight muscle, let’s stretch it.  Dead weight, let’s cut it.  And if it’s helping, let’s nurture it.  Whatever it takes to make things smooth, I’m for it.

I’m in that no-nonsense mood.  No room for anybody throwing marbles in my path.  I’m fine to forge this trek on my own – I can sort and haul my own junk drawer.  But unless you’ve got a machete and some empty, willing hands, I’d rather not dally.

I sound uppity, I know.  It’s just my sorting mood.

It’s what happens when you assess your stuff.  Realize that “so-so” doesn’t cut it.  “Kinda” wastes your time.  It’s quality not quantity and you don’t really need very much.

Just enough of everything that fully functions.  Each item earns its place through contribution.

What I keep is my choice and I’m left to house it.  So here’s to traveling light and easy movement.  (And the ideal promise of an ever-organized junk drawer!)

Salvation through Music

You know there’s something for you when a show starts with “Salvation.”

An acoustic solo concert with Citizen Cope last night.  A small amp and his Martin guitar, the stage set for sparseness.  There was no introduction.  Just Cope as he stepped to the stage and began to strum the slow and heavy song featuring a few chords and his strong voice.

courtesy of Wikipedia

His movements are slow, the words flowing from his throat, sweet and fragile.  So vulnerable but thick with experience, it’s almost as if he’s singing a cappella in our theatre of 500.  You could almost be lulled by the beauty of the notes that reach your ears – hear the silence fill the auditorium between his breaths.  But listen closely to the intensity of the lyrics and there is pain weaving clues about the dark places he’s seen.

Well I came down with my Martin blazin’
My voice
It was cutting him up
Now he’s aiming
His first shot grazed my eye
I lost half of my sight
And my firstborn’s life
The second shot grazed off my guitar moon
And it made my guitar kinda play out of tune
But I just kept playing
Like I had nothing to lose
He turned the third on himself
‘Cause the bastard knew
Salvation I’m calling
Salvation

Put the gun down
Put the gun down
Put the gun down
Put the gun down

From the beginning, Citzen Cope disarms us.  For the rest of the evening, he offers familiar songs stripped down to their most essential parts.  Simple strums and his rich voice sing the poetry of human struggle, redemption and healing of the heart.

He has a scar near his right eye.  He rarely speaks between songs but to say thank you and touch his hand to his heart.  He has the air of someone that may have slept in a prison cell and yet he is so delicate and gentle I want to become his bodyguard for life and protect him from all things violent.  He moves deliberately like water on the stage and we, the seated witnesses, fall in love in two acoustic hours.

courtesy of http://www.thewildhoneypie.com

Threads of Time

When I moved to this sweet home, I hung Tibetan prayer flags with hopeful wishes.  I love to see time reflected in the fabric.

Jessica Dofflemyer ~ all rights reserved

Closing a chapter here, I’m moving to a new place and giving thanks for all that this space has offered me.

This morning at sunrise, I’m embracing change.