Security Blankets and Mala Beads

I kept my “security blanket” until the age of twenty-one.

There, it’s been publicly announced, though for the first quarter of my life, it was something only those closest to me knew.

Gifted to me at birth, my fingers would glide along the edges of that pastel, crocheted blanket (which eventually became a knotted, over-loved ball of unraveling, grey yarn). Round and round the perimeter my hand would inch, soothing me with every fingered movement.

I wasn’t exactly a Linus. No dragging about of the blanket (though I had a brief stint of stress in second-grade that had me stashing it in a book bag, where I would reach to feel it beneath my school desk). Typically, the blanket stayed tucked beneath my pillow, only pulled out at night before sleep.

As I aged, I wondered at my unwillingness to let go of my attachment, and the ritual of comfort it gave me. And though I thought I ‘should’ release it, I resigned to the fact that I simply never would.

One month after my twenty-first birthday, Life made a decision for me. My blanket was stolen at a Rainbow Gathering on Mt. Shasta by an unscrupulous Sicilian hippie named “Many Rivers”. He abandoned it at a collective burn pile where it smoldered with the discarded tie-dye’s of the vacated campers. Only ashes left, an offering, in my involuntary rite of passage.

courtesy of Wikipedia
Rainbow Gathering signage – photo courtesy of Wikipedia

When, much later in life, a mala bead necklace was placed in my hands, the familiar tracing of form through fingers came back to me as a long-lost friend. The calm of movement threading through my thumb and middle knuckle.

So then I wondered. Perhaps I was not a maladjusted, insecure child that grew up to be a young woman, so needy and attached that she could not give up her blankie. Maybe – who knows, maybe – there was some innate remembrance from birth. Perhaps a past life. Had I once been a kneeling Catholic, whispering Hail Mary’s in the church of my small Italian village? Or a monk, cross-legged, in a monastery, chanting in the remote hills of Tibet?

These grown-ups – the devout, the saints, the mystics – they have had their beads in hand for comfort.

The children – they have gotten stuffed animals and blankets.

Perhaps there is a common thread.

For me, the feeling of the texture running through my fingers is what set me at ease. My home base. My calm. Some kind of connection.

These tokens we hold. Maybe they all bear an essence of Home. Offer a settling, a security. One not seen, but touched.

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The Dance

There were old poems from my father. A gift to my mom when we were small. Me, maybe four or five. My sister, two or three.

Even then, there was an essence that he saw. One poem for each of us. Mine had oak trees and quiet. The seriousness of a first-born child.

My sister’s was light. Laughter and delight in tiny tennies, “dancing to any ole tune.”

Maybe these traits are innate. My dad sensing them early on.

Growing up, my sister’s joyful abandon was both my envy and frustration. Sharing clothes in high school, she would regularly return white shirts with random stains.

“I’m sorry, Jess. I didn’t mean to.”

I knew it wasn’t purposeful, she just wasn’t thinking. And that’s what made me crazy.

Later, in my twenties, less thinking is what I longed for. I watched in wonder, as my sister boldly twirled through the world without hesitation. She traveled California in a souped-up Dodge van with hand-sewn curtains and a bed. She painted a slogan in huge letters across the back doors, proclaiming “We know who we are when we dance.”

Though I certainly had my own daring adventures, it seemed my moves were always much more measured than hers. Not that she was haphazard, just loose. Not that I was rigid, just more cautious.

And much less patient. I remember my sister telling me a story of her meditation practice with a fly. How when it landed on her bare-skinned body, she chose to just let it crawl. She did not flick it away. She gave no resistance. Its little legs were irritating as it roamed, but she simply surrendered to its presence. Found liberation in her full submission to the discomfort.

I so admire this yielding patience. This willingness to let. My sister’s ability to let with lightness and a laugh.

I’d like to think that I’d do fine with my own fly meditation. But I’d have to be in the mood. The truth is, in the day-to-day, I’m just more attached to control.

Somehow, with my sister, this yen of mine for order never fails to become glaringly apparent. As in this scene, on my last visit with her in California.

We’re in our late thirties now. Mothers with purses and sons. She’s behind the wheel of a standard, family car, her four-year old, securely fastened in the back. I’m following behind her in a rental, Jeb in the passenger seat beside me.

I don’t know where we’re going in this labyrinth of neighborhood streets. Too complicated to give me advance directions, she says “just follow me.”

As I tail behind them, I can tell by looking through their back window that it’s White Stripes on the stereo. I see her smiling in the rear view mirror at her son, his arms in an air drum fervor, pumping in time with Meg White.

Delighted fun and bass drum leak from the cab of their car whenever we come to a stop sign. My sister is pure smiles, bobbing her head and clicking on her turn signal.

Our car is quiet. Jeb is still beside me, taking in the trees. “Can we please not have music mom?”

“Yeah, that’s fine.”

I continue following my sister’s cues until she slows and flips a U on a small side street. She pulls up beside me, rolling down her window.

Jack White’s in a bubble of sound surrounding them, his sing-songey invitation asking when we’re going to ring his doorbell. My nephew smiles at us through his window, still rocking out.

My sister’s sparkling, not a worry. “I think I took a wrong turn back there. Just keep following me.”

My face betrays me. Maybe it’s my eyes that roll, or my lips turn down and pucker. It’s just a simple U-turn, but I’m annoyed in only the way a big sister can be.

“What Jess?” she laughs. “It’s no big deal. We’re close. Just follow me.”

It’s embarrassing how easily agitated I can become. And never is it so obvious as when I’m with my sister.

I swirl in my bi-polar chasm; both irritated that we didn’t reach our destination in single-pointed efficiency, and disappointed at how I let it matter one iota.

In my dance of the inner extremities, revealed expertly, through the divine mirror of my sister, I am humbled. I try to keep in step and still honor my own groove and rhythm.

I think we do know who we are when we’re dancing. We’ve all got our own style. Seems the key is to just stay light enough to move.

 

courtesy of f.xavier.serra
courtesy of f.xavier.serra

Awe Along the Shoreline

“the tide is so low”
but he is enthused
exclamations
from the human
in spandex
and a swim cap
about to submerge
in the earth’s soup
at sunrise
he’ll splash
buoyant
on a planet
floating
in a mass of stars

early risers
unfold chairs
hold travel mugs
and watch
the still water
a spot of sea
buffered
from the sounding surf
that breaks
outside
the distant reef

“look there’s a rainbow”
more wonder
from the spectators
as fingers
extend
skyward
below
their feet
coral has been crunched
to sand
that tinkles
and
percolates
sifting
with sea foam bubbles

just beyond the scene
a woman
scribbles words
in her Toyota
never minding
that her
health insurance
application
was denied
it doesn’t
matter
that her son was sassy
on Valentine’s Day morning
she’s recording
something
for the cosmonauts
earthbound
and celestial
alike

soothed by salt air
she sends
messages about
the awe along the shoreline
she knows
there’s starlight
still twinkling
just beyond
the sunrise clouds
existing
so infinite

ahhhhh

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