I have chronicled the skin tingling, ascent up Haleakala Crater to the tunes of Chris Berry and Panjea. That cosmic climb was in August 2008.
Fast forward to February 2009 and I’m in stocking feet dancing with an eclectic mix of eccentrics on a wood-floored gymnasium at 3 in the morning. Chris Berry sits before us on the make-shift stage beneath a basketball hoop overflowing with fountainous flowers. Michael Kang is at his side, the organic alter of crystals, Ti leaves and sweetgrass at their feet. Several other incredible percussionists are with them on djembe, mirimba and rattles. Together they are playing the African-inspired Panjea jams to a crowd of about a hundred festival goers.
