A Bit Fowl

Summer’s on and I’m driving. As in, driving a lot.

With nothing much offered in the way of summer activities for Jeb on this side of our island, I’ve committed to the hour and a half, round trip, trekking to art camp for the next four weeks. (That’s an hour and a half in the morning and hour and a half in the afternoon, mind you).

No, we haven’t found anyone to ride share. Yes, this burns a ton of fossil fuel and takes its toll on my vehicle. No, this kind of commute isn’t all that bad in an island paradise. And yes, people all over drive this far to work on a daily basis.

The bottom line is Jeb loves the camp, I get my work done, and the two of us get a little mother/son time as we travel.

This driving has also gotten me out of my limited five-mile radius between home, market and the post office. I’m taking in the sights like a tourist and sometimes what I see is puzzling.

Take for instance, the 8am opening of the tilting restaurant shack, Chicken in a Barrel BBQ. I remember years ago when this was a sandwich and smoothie place. There’s a new sign now, painted with a chicken surfing inside a wave.

In the early morning light, smoke billows from barrels housed inside a chain link fenced enclosure, not far from picnic tables and the roadside. The sun is coming up, as a human dressed in a matted, chicken costume, stands waving at passing traffic. They are pacing in excitement upon giant, orange poultry feet, welcoming passersby and nodding their bobbley chicken beak in greeting.

This all strikes me as peculiar.

So I ask Jeb about it.

“You know that chicken in a bucket place near the road, in town?”

“Mom, you mean chicken in a barrel? It’s barrel, mom. Not bucket.”

“Oh, right. That makes sense. The chicken is surfing inside the barrel of a wave. Of course.” I laugh.

“Yeah, what about it?”

“Well, I noticed the other morning, that there’s this person that is dressed in a chicken costume that stands outside and waves at the traffic, as if they’re trying to get people to come to the restaurant.”

“Yeah, I’ve seen that. So what about it?”

“Well, don’t you think it’s kind of strange?”

“What’s strange about it? It’s a chicken at a restaurant that cooks chicken.”

“Exactly, my point. Don’t you think it’s a little odd to have a chicken in front of a restaurant calling in people to come inside and eat chicken? It’s like it’s saying, ‘Hey everyone, come on in and eat my kin.'”

Jeb still doesn’t see my point. “Right, it’s a chicken telling people about the chicken. What’s weird about that?”

“Okay, well look at it like this. What if a human were standing in front of a restaurant with a bunch of smoking barbecue barrels saying, ‘come on inside and eat some humans.'”

Jeb ponders for a moment as his face morphs into an ‘ah-ha’. “Oh, you’re right! Wow. That’s just wrong.”

“So you see what I’m saying? It just seems strange to me. Why would that make people want to eat chicken?”

We are quiet for a bit and I can see Jeb turning the conversation over inside his head.

My questioning is not an issue of vegetarianism. I’m not thinking about whether or not a person feels alright about eating meat. I’m just wondering about the human mind and how seeing a giant, adult-sized, friendly chicken, is supposed to make a person want to sink their teeth into a smaller version of its smoked flesh.

I break our pause. “You know I’m not trying to be gross by saying humans eating humans. I just was trying to show you a different perspective.”

“No, I get it. I see what you’re saying, that is weird.”

He stops, then looks at me.

“But mom…” and he says this with respect, suggesting a bit more than his nine years of life. “You’re thinking too much.”

photo courtesy of pop culture geek
photo courtesy of pop culture geek

Widening Focal Point

Taking a pause on packing boxes (we move to our new place on Monday), Jeb, the Bohemian and I, take ourselves and a camera down to the beach for sunset.

After a full day of sorting stuff and sweeping dust, it felt good to focus in on a whole different world.

the baby is getting bigger...
the baby is getting bigger…
this baby, too
this baby, too
can you see it?
can you see it?
a closed flower at sunset
a closed flower at sunset
so much depends on a bee
so much depends on a bee
photo courtesy of Jeb, experimenting with macro
photo courtesy of Jeb, experimenting with macro

Eyes of the Tiger

2013-06-19painting

I’ve been visiting this painting for years and after over a decade of viewing, I am still puzzled.

The work is mammoth in proportions. That corner of a frame shown in the upper right is probably the width of my body. I believe the piece is Chinese in origin, the artist, unknown to me. It hangs as a tremendous presence in the courtyard of a sprawling seaside resort.

I first saw it 16 years ago while waiting for the Volkswagen bus I was living in to be repaired. The auto shop was a relatively short walk away from the hotel and I needed respite from beach park living. I was weary of the county park’s rudimentary public bathrooms that only ran cold water. Tired of the surly characters that gathered for cheap beers at the picnic tables by 10am. I know I wasn’t technically a guest of the hotel, but it seemed pretty harmless to sit among their artwork, wash my hands with warm water and fancy soap.

So while I hoped the mechanics could finally fix that starter issue on the bus, (an ongoing glitch, so this hotel courtyard scenario played out more than once) I spent the afternoon(s) in the shade of carved, marble pillars, playing tourist. I’d sit on the cushioned chair beneath this monumental work of art, wondering.

The Volkswagen is long-gone now. I live in a traditional house with a private bathroom and hot water on demand. I am the mother to a nine and a half-year old son. Over the years, I’ve continued to pass through that hotel courtyard. These days, the marble pillars seem more worn, the lobby, more flush with tourists. There’s an espresso bar now and the bathrooms just don’t seem as fancy as they used to. And though I don’t know who uses them anymore, they still have that privacy nook with three pay phones.

Yesterday, Jeb and I had a break between appointments and it seemed the perfect time to take a courtyard wander. Eventually, we found ourselves standing beneath the immense work of art.

“So, Jeb, I’ve been wondering about this painting for years. I’m curious what you make of it. Look at the tiger. How does it look to you?”

“Scared.”

“Yeah, I see that too. It almost looks like he’s afraid of the man that’s kneeling down. What do you think that man has in his hands?”

“Looks like a bowl of rice.”

“That’s what I thought. Okay, so the tiger seems to be looking at the man with the rice, but he looks afraid. That seems unusual to me.”

“Yeah. That does seem weird.”

“So, then I see the face of the man on top of the tiger. What does he look like to you?”

“Strong.”

“Exactly. I see that in his eyes, too. So, the man seems really steady and strong and the tiger looks afraid – afraid of food, even. I’ve been wondering about this picture for years and have never really figured it out. I just don’t fully understand what’s going on in this picture.”

Jeb and I come to no conclusions.

I attempt to take a proper photograph of the gigantic work, but sunlight makes reflections and its size won’t even come close to fitting in my frame.

There remains a story here, of which I do not know the details.

There are elements of power, humility, humankind and nature. The tale this painting tells must be of great import. I imagine the artist scaling ladders to bring his vision to life. The great lengths it took to sail this colossal piece to our small island. The significance it held for the designers of the hotel, who decided to boldly feature this epic depiction in the oasis of their courtyard.

This painting is a great gift, granting me shady respite and 16 years of curious wondering.

What does it say to you?